TF, 2 letters that signify at the same time Type Foundry and Typographie Française (French Typography). 205TF is a type foundry that brings together the work of independent typeface designers, some of them well known, others closer to the beginning of their career, all highly talented. Each of them developing characters where a certain French spirit can be felt. 205TF is a foundry on a human scale, and beyond the distribution of their work, it supports typeface designers by making their creations available to a wider audience, allowing for greater recognition of their work.
205TF makes a choice of quality: a small number of creators, a precise selection of characters. The number is of little importance, the quality however is essential.
All of the characters are developed according to common standards (set standard, set pro and set spécial). The typefaces have – at a minimum – an extended set of characters (Latin extended) and this allows them to be used for compositions in a wide range of languages. With an Opentype format, they provide access to specific characters such as small capitals (according to the characters), different series of figures (aligned, old style, proportional and tabular), ligatures, fractions, etc.
This format allows access to specific typographic settings according to the characters. - For the group of characters – functions “All caps”, “Case sensitive punctuation”, “Tabular lining figures”, “Tabular old-style figures”, “Proportional old-style figures”, “Ligatures”, “Fractions”, “Ordinals”, “Contextual alternates”, “Localized forms”, etc.
For certain characters — “Small capitals”, “Capitals to Small Capitals”.
The presentation and interest of each function are detailed in the typeface specimens that can be downloaded for each typeface.
The groups of characters function with both MacOs and Windows platforms and have been tested for Office and Adobe applications. They can then be easily installed on the vast majority of computers and the direct transfer of a file that uses 205TF typefaces from one platform to another and from a Macintosh version of software to a Windows version of software is a process which is seamless.
For cases involving a specific and/or proprietary operating system or specific software, please contact us directly.
Rémi Forte, Foundry Manager
As Foundry Manager, Rémi Forte supports 205TF’s type designers in the development of their projects. He is also in charge of the foundry’s communication and customer relations. Alongside his work for 205TF, Rémi is developing a practice-based research thesis in the TransCrit Research Unit (University of Paris 8), which follows his studies at the École nationale supérieure des beaux-arts (ENSBA) in Lyon, and Atelier national de recherche typographique (ANRT) in Nancy. He also teaches graphic design and typography.
Damien Gautier, Founder and Partner
Cofounder of 205TF in 2017, Damien Gautier is codirecting the foundry’s operations and contributing to the catalogue as a type designer. His typefaces are available exclusively at 205TF, such as Maax, Plaak, Plaax, Alcalá or Beretta.
Florence Roller, Founder and Partner
Cofounder of 205TF in 2017, Florence Roller is codirecting the foundry’s operations. She leads with Damien Gautier the graphic design studio Bureau 205 and the publishing house Éditions deux-cent-cinq. Coauthor of 3 manuals on visual identity, posters and typography, she holds a degree from the École supérieure des Arts du Rhin in Strasbourg (HEAR).
New releases are carefully selected every year by the team and its advisory board, comprised of Matthieu Cortat, Thomas Huot-Marchand and Alice Savoie. They stand for a level of quality that our customers deserve and look for.
Matthieu Cortat is a type designer. He has designed several custom typefaces for clients, such as Eastpak, Caran d’Ache, the City of Lausanne, the Terminal Four at JFK Airport in New York or the TV channel Eurosport. He is Head of Master Type Design at the University of Art and Design Lausanne (ECAL). His typefaces are exclusively available at 205TF, including the most recent ones Zénith, Cosimo, Helvetius, Yorick or Molitor.
Thomas Huot-Marchand divides his time between teaching, type design and graphic design. Since 2012, he is Director of the Atelier national de recherche typographique (ANRT) in Nancy. A former resident of the Académie de France in Rome – Villa Médicis in 2006–2007, then at the Hoffmitz Milken Center for Typography of Pasadena from May to July of 2019, he is now living and working in Besançon, where his activity as a Graphic Designer has developed mainly in the cultural sector. He has been a member of the Alliance Graphique Internationale (AGI) since 2010. The typefaces of Thomas Huot-Marchand are exclusively available at 205TF, such as Album, Garaje, Minérale or Minuscule.
Alice Savoie is an independent type designer and researcher. She holds an MA and a PhD from the University of Reading. As a practicing type designer she has collaborated with international foundries and design studios. Her recent type design works include Faune, an award-winning typeface family for the French Centre national des arts plastiques. She teaches at ANRT in Nancy (France) and ECAL in Lausanne (Switzerland). 205TF distributes her typeface Romain 20.
Charly Derouault, Alexis Faudot and Federico Parra regularly collaborate with the foundry as graphic and type designers.
Roxane Gataud did work with 205TF from 2016 to 2020 as a type designer and font engineer.
Thomas Leblond, a graphic designer, participated in the creation of the foundry in 2017.
We look forward to possible font proposals. Please do not hesitate to contact us for sharing your projects.
Sarah Kremer’s Bartok redefines the very notion of a type family. Its four styles with their singular designs break with the principle of formal unity usually sought after in such families. Each variant stands out for its expressivity, contributing to the creation of a contrasted whole.
The development of Bartok was undertaken in the context of editorial design in order to propose a multifaceted typeface with only four styles. It has been designed to be used for long or short passages of straight text as well as for titles.
With the aim of proposing complementary typographic colors, the four styles of Bartok (Regular, Italic, Highlight and Poster) have been designed with different structures and possess distinct weights. Each variant develops formal specificities taken from different moments in the history of typography.
Inspired by Humanist typefaces, Bartok Regular is based on the proportions of typefaces derived from incunabula. Its asymmetrical serifs and slanted stems are characteristic of calligraphic script. Its squat counterforms combined with its stability give compositions both pace and balance.
Bartok Italic explores the calligraphic model of the chancery hand, to offer strong cursivity combined with a supple design, changes in direction and pronounced lines and angles.
The archetype of the early grotesques is visible in the Bartok Highlight: an assumed density, varying contrasts and non-orthogonal terminals.
The details of Bartok Poster, with its irregularities of alignment and varying angles, can be fully appreciated in large sizes. Its heavy weight, changing contrasts and roundness infuse it with a certain bonhomie.
Though these formal differences are quite pronounced, certain curves and details are echoed from one style to another. The general proportions of the typefaces (x-heights and cap heights) have been harmonized so that they can be combined easily and naturally.
Old Style Figures
Old Style Figures
Prebuild & Automatic Fractions
Symbols & Mathematical Signs
This standard corresponds to a set of characters that respond to the Extended Latin standard. It allows for the composition of a large majority of Western European languages. To do this, signs have been added to the standard latin alphabet, either through use of diacritic signs, or through construction of specific signs. The Extended Latin standard does not contain specific Cyrillic or Greek characters. The detail of the characters available for each typeface is presented in the typeface specimen that you can download from our website.
The list of languages in which it is possible to compose is in the specimen.